Migrate
Migrate featured in the National Gallery’s 2017 Upon the Seas exhibition. It explores the movement of people by land and sea, whether forced or voluntary. It speaks of the massive forced migrations of the Middle Passage but equally of those we have witnessed in the media over recent years. These multiple journeys have been entirely reduced into a series of abstractions, however, if we contemplate these lines individually, we become aware that they are each entirely unique. Ebanks draws attention to the fact that we are all on a journey and that at times we are at risk of becoming desensitised to those of others.
About the Artist
Al Ebanks
b. 1963
Born in George Town, sculptor and painter Al Ebanks was awarded a scholarship from the Cayman National Cultural Foundation in 1995 to study sculpture with renowned Barbadian artist Karl Broodhagen and later learned bronze casting in Tuscany through the National Gallery of the Cayman Islands’ Artists Away grant programme (2004). Ebanks co-founded the Native Sons artists collective in 1996 and was awarded CNCF’s Artistic Achievement Award in 2001. He has exhibited locally and abroad, including a solo show at the Jackie Gleason Theatre, Miami. His paintings were used on-screen for the feature film Haven (written and directed by Frank E. Flowers; 2004). Ebanks’ work is included in the permanent collections of the Cayman Islands National Museum, NGCI and the Griffin Gallery, Chicago. NGCI exhibitions include the solo exhibition Dancing to Art (2004), and Native Sons’ Fahive (2005), All Access (2015), Native Sons – Twenty Years On (2016), Upon the Seas (2017), Mediating Self (2017), Cross Currents – 1st Cayman Islands Biennial (2019), Island of Women: Life at Home During our Maritime Years (2020), Reimagined Futures: 2nd Cayman Islands Biennial (2021), and The People’s Collection: A 25-Year Cultural Legacy (2022).
